11.16.11 Boston's Bad Rabbits, live recorded in their rehearsal space, performing a cover of The Dream's Walking on the Moon. Mixed and Mastered in Pro Tools 9.

05.02.11 Boston's Bad Rabbits, live recorded in their rehearsal space, performing a cover of The Smashing Pumpkins' 1979. Mixed and Mastered in Pro Tools 9.

02.09.11 Boston's Bad Rabbits, live recorded in their rehearsal space, performing a cover of Michael Jackson's Human Nature. Mixed and Mastered in Pro Tools 9.

01.03.11 Boston's Bad Rabbits, live recorded in their rehearsal space, performing a cover of Deftones' Sextape. Mixed and Mastered in Pro Tools 9.

06.16.10 Envy on the Coast performing Southern Comfort at The Palladium, Recorded in Digital Performer 5 from the FOH console direct outs. Mixed and Mastered in Pro Tools 9.

06.16.10 Envy on the Coast performing The Devil's Tongue at The Palladium, Recorded in Digital Performer 5 from the FOH console direct outs. Mixed and Mastered in Pro Tools 9.

01.27.10 Envy on the Coast performing Head First in the River at C.W. Post, Recorded in Digital Performer 5 from the FOH console post fader, post EQ, direct outs. Mixed and Mastered in Pro Tools 9.

01.27.10 Envy on the Coast performing House of the Rising Son at C.W. Post, unfortunately on this track the FOH engineer was adjusting the input gain constantly, and actually led to plenty of distortion from the preamp, which cannot really be cleaned up. Recorded in Digital Performer 5 from the FOH console post fader, post EQ, direct outs. Mixed and Mastered in Pro Tools 9.

01.27.10 Envy on the Coast performing Sugar Skulls at C.W. Post, Recorded in Digital Performer 5 from the FOH console post fader, post EQ, direct outs. Mixed and Mastered in Pro Tools 9.

01.27.10 Envy on the Coast performing X Amount of Truth and Vultures at C.W. Post, Recorded in Digital Performer 5 from the FOH console post fader, post EQ, direct outs. Mixed and Mastered in Pro Tools 9.

01.27.08 A snippet from the movie Dawn of the Dead, all music scored in Pro Tools, using Reason's Orkester sound bank through Rewire. Mixed in Pro Tools HD 7.4 in 5.1 surround as well as a stereo submit, newly recorded dialogue, new sound effects, along with some from various locations including the Hollywood Edge sound library.

09.13.07 A snippet from the movie Mission Impossible III, all music scored in Logic Pro, using Reason's Orkester sound bank through Rewire. Mixed in Logic Pro 9, newly recorded dialogue, new sound effects, along with some from various locations including the Hollywood Edge sound library.

08.03.07 A second trailer for Call of Duty 4, all music scored in Logic Pro, using Reason's Orkester sound bank through Rewire. Original sound effects, along with some from various locations including the Hollywood Edge sound library.

08.03.07 A trailer for Call of Duty 4, all music scored in Logic Pro, using Reason's Orkester sound bank through Rewire. Original sound effects, along with some from various locations including the Hollywood Edge sound library.

01.07.07 A short film about an inner struggle of sorts. I spent a good amount of time working on the all original music, and sound design. I worked on the production of the film with a few others, including filming, lighting, cinematography, titles, editing, and dvd authoring.

06.29.05 A live video for 'As You Wish,' from the CD release show at the Middle East in Cambridge, MA. Filmed by Doug Cowell with a Cannon GL2, edited by me with FCP Pro... It's a composite of the single cameras shot of the entire show, so not ALL of it lines up musically, but I did my best to line it up...

09.25.04 The 'Unwelcome' music video we put together at our practice space. Filmed with a Cannon GL2, and a Sony PD 150 by Nate Bush, and Doug Cowell. I edited the final together from eight takes of the song in Final Cut Pro. It was a lot of fun, pretty goofy, and damn loud. We didn't really have any standard monitoring system, so behind Cullen you'll see a huge PA speaker that's cranking the tune off of a cd player... came out pretty decent.